Nuclear War. Fanatical religion. Tribalism. Treacherous A.I. Ecological Disaster. Making our children fight wars for us. Just to name a few of the elements that fuel the storylines of the show "The 100". Based on a book series by Kass Morgan, the television show "The 100" sits on a lot of lists with titles “Best Shows You’ve Never Seen” and “Most Underrated Sci-Fi Shows.” The overwhelming majority of the time I do not agree about what shows are on these lists, but in this case they are correct.
Set a little less than 100 years after nuclear war has wiped out most of mankind, "The 100" tells the story of 4,000 survivors sent to live in a space station above the planet to ensure the continuation of the human race. Resources are scarce and they are supposed to last far beyond what they realistically can, so any crime, no matter how small, is punished by death-unless you are under the age of 18. These crimes include stealing needed meds or food, and having more than one child.
But best laid plans really are the road to hell. The ark (as the station is called) does not have what it takes to ensure the survival of anyone, much less 4,000 people, so they send 100 “prisoners” to see if Earth is in any way habitable. Here they find radioactive storms, toxic soil, warring clans, and societies that shun anyone not genetically attractive (not unlike leper colonies from history).
Merciless in killing off of characters, somewhere near the end of episode 3 The 100 is already down to less than half. (At this point into season 3 I am surprised if anyone makes it through an episode, much less a season).
"The 100" brings with it some of the more realistically theorized behavior of humanity after a nuclear war than I would say most shows do. In the sci-fi writing world there are genuinely only a handful of things writers seem to agree on. Humankind’s annihilation at their own hand, be it through nuclear war or ecological disaster, definitely is one of those things. And really, when you have a look around, I don’t think anyone (reasonable) would disagree that this is a possibility beyond measure these days. It also establishes once again that here on Earth we seem to have a pretty hard time learning any lessons.
The books had not yet been published when the CW picked up the rights for the story. I didn’t know much about it when it was being filmed, but I decided to avoid watching it for some time because what little I knew about it I didn’t want spilling over into my own writing as I was rounding out completing my first sci-fi novel at the time. (This ended up being unnecessary as the stories are pretty different).
In the first season of the show the soundtrack was comprised of popular, recognizable hit songs and it did not work. It was one the few elements keeping it from being a serious sci-fi epic, but season 2 came and that changed.
As the kids go out into the world and discover not only do they not necessarily have any idea what morality is or what that could even possibly mean in this world they now live in, the music gets more complex and immersive. And one way this is demonstrated is by the discovery of relics of the past. And it is UNSETTLING. It’s in these moments that the nature of the story really hits home. A very good example of this is a scene when a group is headed once again to find if there is any safe passage across a stretch of land and in a moment of seemingly carefree jubilance they sing along to "Add It Up" by the Violent Femmes-a pretty familiar song in the indy rock world. It’s only then you realize how eerie the lyrics to this piece of music really are, and that 100 years from now is not much time.
*as a side note, the linguist who worked on Game of Thrones has also worked in developing the Grounder language on "The 100"
*I also appreciate that sexuality is a non-issue. It just is.